your hand on the door, you whisper
with breath reeking of buyer's remorse
"it's better this way,
you need a guy who won't make you cry
you need a guy who wants to stay"
and you believe it
goosebumps spread on your arms
from the chill of frozen eyes
and words can't make it better, but
"it never would have worked, anyway
you need more than I could ever give.
you deserve better than me."
and you don't acknowledge your broken logic.
(because once, you would've given the world.
but pouty lips and honeyed words aren't
as sweet as you remembered.)
and maybe you've convinced yourself
that if you're so eager to leave,
it's truly for the best
except
you once fulfilled all those needs.
when times get tough
it's not enough
that fragile hearts are made of glass
because maybe you've convinced yourself
you deserve better.
"I really did care about you"
you liked the way your heart fluttered,
but you know it's nothing
special. that patterned excitement
in your chest, that once made you smile
and swear you'd found the one
is gone.
and, you want to go with it.
the air is chilly;
you pretend you don't know why,
and words begin to fall from the mouth previously
sealed shut, because it had been deprived of energy
and a reason.
but now-
there's a question.
"didn't I used to mean something
to you?
when did that change?"
you don't know an answer
but you know you're afraid of the fingers
clenched white, and the expectant eyes that
expect a little too much from you
like things you can't give, because
you lied about why you really cared.
the heart you never gave doesn't feel the same.
the silence is heavy,
you go,
even though you were never really there.
it's warm, outside;
you pretend you don't know why,
and you let yourself forget
about when you actually felt something.
(because, maybe,
you never really did)
In the first stanza, your use of parenthesis makes the details encloused in them seem like an afterthough to the speaker. I think this is really effective because the speaker is focusing on the person leaving, and thus they would notice other details only minutely (though also seeming significant too).
I like your use of dialouge in the poem as well. This technique also adds to the piece and gives it a really realistic quality, it's actually happening, and it's not just a story. The dialouge really helped me to connect to the poem.
The lack of capitalisation except for "I" was also really awesome. It added to the flow of the poem and the sense that it was really happening, connecting to the reader. It also put emphasis on the "I" and how the speaker feels/felt.
Your choice of words for the poem are excellent. Everything fits and flows. I love "the silence is heavy" and "(beacause, maybe,/you never really did)"
Overall the whole piece is brilliant, (ha, I'm repeating myself...) and I love it! I truely can't find anything you'd need to improve on. Sorry...?
A sidenote, or P.S. : There are always going to be stupid people who leave because they feel slighted or upset. I know someone who is like that and it's sad because they miss out on great friendships. I want you to know that you're worth it. I know people say sorta cliche stuff like that a lot, but I say it because it's true. You're part of a whole community of people who all contribute and review and help each other. Even if one peson leaves you, there are many more who are willing to help you back up.
The Artist has requested Critique on this Artwork
Please sign up or login to post a critique.